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This is an early work
intended for a buttress of the Duomo. Like Michelangelo's later David,
it resonates with political symbolism. David became a symbol of the Florentine
Republic in conflict with more powerful enemies, yet favored by God. Although
this work is in marble, Donatello worked in bronze, relief, and even wood.
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The
head of David
Donatello is often interested
in the psychology of his figures. Neither the stance nor the face of David
conveys a sense of pride in his victory. He wears a crown of leaves, connecting
him with the heroes of antiquity. |
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The
head of Goliath
Donatello is often interested
in textures. Goliath's hair and beard contrasts with the smooth, young face
of David. David's right hand originally held a bronze slingshot. The marble
portion with the stone is embedded in Goliath's forehead. |
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