Introduction


By Henri Stierlin

In ancient Egypt, pharaonic architecture evolved over a period of three thousand years. It took form as early as the Neolithic Age (6000-4000 BC), becoming widely established toward the 3000 BC, continued to evolve in spite of a marked standstill during the reign of the Ptolemies, and came abruptly to an end during the Roman Empire in the 3rd century AD.

The Egyptians’ primordial quest for eternal life led them to develop a lasting funerary architecture to commemorate their deceased sovereigns and their gods. For these monuments, the master-builders of the Nile Valley, abandoning the wattle-and-daub technique (mud walls made of woven reeds and trunks of palm trees and covered with a thatched roof) which, until recently, was still the principal mode of construction of domestic buildings along the Nile Valley from the Delta to Nubia. They transformed these primitive methods into a mudbrick technique that soon evolved into stonework. This process of petrifaction met their desire for enduring monuments and led to the construction of edifices which served emblematic functions, both ritualistic and mortuary.
The great historical structures which succeeded the mudbrick buildings of the Predynastic Period were essentially temples and tombs. The master-builders raised prodigious creations such as Cities of the Dead in the desert along the edge of the fertile valley, colossal pyramids in whose depth the kings of the Old Kingdom were laid to sleep for eternity, grandiose temples devoted to the gods and the cult of the sovereign, and royal hypogea with mazes deeply hewn into the western hills above Thebes.
Some of the great temples are so well preserved that we can still detect the architect’s slightest intentions. In several sanctuaries from the New Kingdom and Ptolemaic Periods, the walls and the ceilings are intact, enabling us to appreciate the articulation of space and the flow through the different parts of the building. The roof slabs, still in place, let us admire the play of light on the polychrome wall paintings in the increasingly darker halls leading from the sun-baked courtyard to the shadowy inner sanctum, where a mysterious intimacy still reigns.
Temples, shrines, pyramids, tombs, rock-hewn sanctuaries, sacred lakes, and alleys of sphinxes take on another dimension when considered in connections with the ceremonies for which they were built. Many of the reliefs and wall paintings adorning these monuments contain holy formulas. Some show figures of priests reciting hymns while performing their duties, and sacred texts in hieroglpyh explain the rituals at the exact spot where they took place. Others depict grandiose processions through echoing halls, pilgrimages by boat on the river, solemn funerary services in the Valley of the Kings, or military campaigns. Like annotations in a book, they throw light upon the builder’s motives and explain the religious and political functions of the buildings, going far beyond our modern functionalism.
It is difficult for us to fathom this architecture of the past until we recognize its refusal of anything transient or ephemeral and its pledge of eternity to a civilization confronted by the desert and death. Studying the architecture of Ancient Egypt cannot be reduced to an aesthetic approach or to an analysis based on technical or typological considerations; nor can the functional aspects be separated from the spiritual imperatives that ensured the permanence of traditional forms in Egyptian art. Because of the religious beliefs of their ancient civilization, the master-builders called millions of laborers to the pharaonic building sites and they united their efforts in order to perpetuate their faith in the Afterlife and in the power of their god-king.

A Cosmology shaped by Nature

In order to understand Egyptian society, culture and art, and the rationale for its architecture, it is neccessary first to take the natural surroundings into account. The Nile governs a narrow region full of life that blossoms in the heart of the most arid desert on Earth. It is an umbilical cord carrying its life-bringing flow over thousands of miles through the otherwise desolate hills, dunes and wastes that border it. Understandingly, this land had been referred to since Antiquity as the “Gift of the Nile.” Although this cliché has become trite, it perfectly expresses the vital relationship between a natural environment, both hostile and favorable, and the spread of a civilization.
Seen on a map, the Nile takes the form of a huge flower with a stem reaching downward into tropical Africa and growing towards the more temperate zones of the north where it blooms into a large Delta. There, with its multiple branches, the river irrigates large surfaces of fertile soil formed by black silt from the floods, before turning into an immense delta with multiple branches and emptying into the Mediterranean Sea.
The formidable mass of water flowing from the great lakes of the rain forests and from the mountains of Abyssinia runs due north, while the sun above crosses the sky from the east to the west in its daily course. Both of these courses—the south/north flow of water and the east/west movement of the sun—played a major role in ancient Egyptian cosmology and gave rise to a dualistic concept of the cosmos with a highly-structured framework and systematic relationships.
The prevailing wind that blows up the valley in the opposite direction from the flow of the river provided remarkable tailwind for the many sailboats that have navigated there even since well before the first dynastic period. For northbound travel, the current sufficed to carry the boats, but oars could be used for additional speed. For the return journey the boatmen raised a mast and yard, and hoisted a square sail enabling them to sail upstream effortlessly and to travel great distances southward above the first cataracts.
An entire civilization was able to construct a coherent spiritual vision, thanks to such a rich gift from nature. Sun, water, and wind, along with the fertile alluvial soil of a seasonally flooded river-bed, constituted a complete, unified ecosystem. For the ancient Egyptians these natural constants formed the cosmological inventory from which their preoccupation with eternity and space would be elaborated.


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