Van
Gogh painted a strange picture - a laughing skull with a cigarette. In the
rough copy of "Idiot" F. Dostoevsky created a cemetery inhabited by the
living dead reminding Doomsday. Louis de Funes dreamed of making a film
about his own funeral and he wanted to make people laugh at it...
The notion "black humour" appeared in the XXth century, but its origin is
lost in ancient times. To paraphrase Napoleon's words " there is only one
step from greatness to laughter" we can say that the same distance is from
horror to fun. Laughter - death!
In the XVth century death appeared like a tall and withered skeleton with
terrible smile. Smiling and dancing death... Not a single epoch thrust
people the idea of mortality like the XVth century. In H. Holbein's graphic
series "Danse Macabre" there is an engraving "Skeletons of Mankind" (1525).
Traditionally dance was understood as a round dance of death with its
victims. In Holbein's character there is nothing horrible, it is more
amusing than scary, and the accompanying rhymes are ironic. According to a
later J. Chapek's remark "skeletons are always like terrible caricatures of
human beings". In Mexico the image of Death is popular in political
caricature as a symbol of freedom and protest against violence.
In 1975 V. Sidur created a tragicomic series "Coffin-art" One of his
sculptures is "Self-portrait in the coffin with saxophone and in irons". It
is an example of philosophical "black humour".Funeral rites of many peoples
are accompanied with laughter. " What an odd fish is a deceased: died on
Tuesday, should be buried on Wednesday, but he is looking through the
window". Tradition of "buffoon" funerals is one of the oldest in Europe. In
Austria, for example, there is an obsequial jestery. Vienna's population are
crazy about funerals and cemeteries. Josef II in his wish to conduct
democratic reforms invented "a multiple-use economical coffin". The people
of Vienna could not stand such "black humour", and the emperor's reforms had
come to an end.
Laughter and death are inalienable, because these notions are immortal
and philosophical.
The first-footers of philosophical "black" humour in graphic were J.
Callot, H. Bosch, P. Bruegel, W. Hogarth, and F. Goya.
"Black humour freezes naive smile and gives our mind food". (F.
Durrenmatt).Besides "black humour" is fantastic, hallucination prevails in
it - houses with eyes instead of windows, mills with hands instead of
sail-arms, people-toads, skeletons with dogs sculls.
Love for abnormalities and wonders characterizes folk laughter. One
should be wise and ironic to laugh at "black" jokes.
Although W. Hogarth is traditionally considered to be a moralist, he used
to be a "comic in grave genre" Some of his engravings are necrophilic, e.g.
his series "Four Levels of Cruelty". The engravings horrified people in the
XVIIth century, nowadays they are scary, too. But let's agree with M.
Ramiyer's words that " there is nothing more terrible than world without
laughter".