A man and a woman, he and she is
the subject of caricature from the dim and distant past. Alchemistic
two-headed androgyne was the first in the succession of grotesque and comic
characters of a theatre for two. There is no politics, but passion, slyness,
and insidiousness. The theatre is a witness of a permanent war in the
battle-field of love. There is nothing simpler and at the same time nothing
more difficult than to invent something new; everything is deja vu: the
first date, kiss, wedding, jealousy, adultery, quarrels, and divorce. "The
strongest foundation for marriage is mutual misunderstanding",- said O.
Wilde. A soup spoon is known as an "attack weapon" since the XVIth century.
Caricatures devoted to the topic can be found in manuscripts of the XVIth
century.
Illustrated magazines of the XIXth century are filled with humorous
pictures devoted to love. Those pictures are not masterpieces, but they are
like specific doctors of people's hearts. Laughter and smile cure from very
serious attitude to love, help to look at oneself with irony. Cupid with a
bow and arrows looking for a young innocent heart is one of the main figures
of caricatures (see P. Markov's drawing in "Iskra" 1859). "This is the place
of pure love," - thinks the Cupid and shoots an arrow. And what? The Cupid
cried bitterly. He saw shares, banknotes and even coins pour out of
"innocent" heart.
Broken love, love-drug, love of the first people on our planet... "Adam
and Eve's Love Affair" by J. Effel was published in 1974. His smiling and
touching characters are popular and known to millions of people. But only
few know humorous muscled Soviet young people drawn by A. Radakov of the
1940s. Adam and Eve by D. Moor are also known.
Soviet people used to live under Mukhina's worker with a hammer and a
peasant with a sickle. Satirists made fun of their non-participating in
social life and unwillingness to increase their cultural level. The most
favourite topic of Soviet caricaturists used to be a wife with a rolling-pin
waiting for a drunk husband, or wife's shopaholism which caused husband's
embezzlement or stealing. But it is not about romance... "He and She" topic
was of great interest for many artists: A. Born, T. Ungerer, X. Balk, E.
Dallosh, K.-P. Kurtse, E. Osipov, K. Melikhan, E. Lipinsky, I. Anchukov. The
dialogue of a lady and a gentleman in K. Melikhan's caricature is as
follows: "Are you married? - Yes, but not completely." E. Lipinsky is the
author of "Ulysses and Penelope", "Louis XVI and Madame Pompadour", "Chopin
and George Sand". E. Agramonte, a Cuban, drew in the column "He and She" of
the "Bohemia" magazine. Every caricaturist created a man and a woman in
his/her own image. Plump characters of R. Surle contrast with the ones of S.
Steinberg or M. Bartak. The Russian He and She of Tunin differ from M.
Zlatkovsky's quarrelsome characters. As a matter of fact, men's behaviour in
similar situations is almost the same. For example, G. Butner's man puts a
suitcase on lady's head to protect her from rain; a man in P. Kulinich's
caricature plays the accordion while "she" draws water out of the well.
Kisses are also different: two jet of candles' smoke kiss each other in A.
Aldridge's drawing, two legs looking like woman's plaits - in I. Sliva's
caricature, etc.
Some years ago this topic was not approved because it had some erotic
shade. Erotica was not officially recognized and the authorities fought hard
against it. During the years of "perestroika" Mukhina's "Worker and Peasant"
stopped being Soviet saints.
"Women think that all the men are alike, and their power lies in this
idea; while men are sure that all the women are different - it wrecks them",
said Ramon Gomes de la Cerna.