|
Luboks might be called the first
Russian satiric posters, later they were "Rostopchin Posters" intended to
explain to Muscovites "political situation" in 1812. In pre-Revolutionary
Russia the art of political poster reached its extreme in the times of the
First World War (1914-1918). The Civil War gave birth to satiric "Okna ROSTA"
- an innovative kind of a "quick" poster reflecting burning events of the
day with understandable satiric drawings and rhymes; fairy tales, fables,
sayings, and proverbs were also widely used; the previous experience of
publishing posters during the First World War and the Revolution of
1905-1907 was of great importance, too. From time to time queer things
happened: in one of the V. Deni's posters Lenin with a besom was depicted
("Lenin is cleaning the Earth from the Scum"), it humbled the image of a
great leader, somehow, but in general inclined people to "Eternal fight".
Since then a bayonet, a besom, a hammer , and a fist have stayed main
"images" of satiric political posters for a long time. Nowadays, a poster by
V. Spassky (1919) looks humorously naive: a worker saving from a shipwreck
swam on "The Capital" by K. Marx.
D.Moor wrote: "Art and laughter are the weapons of our fight". After the
October coup the authorities put forward a goal for the caricaturists - to
destroy and demolish the old world, unmask capitalists, fight against the
revivals of capitalism, bring up a "new person" with the help of political
posters and caricatures. Such posters like "Soviet Repka" by D. Moor (1920),
"Does God exist and what is the origin of the Earth?" by M. Cheremnikh
(1925), "Gnats" by V. Deni (1931), and some others simplified the most
difficult problems, made them closer to the illiterate. To survive in that
changing world a peasant, a worker should learn how to adapt and act in new
environment. Posters explained to them everything: what to do, to think, to
praise, to swear, to laugh at.
During the Great Patriotic War (1941-1945) satiric posters and
caricatures had become almost the leading kind of art. They made fun of the
enemy and called to the fight against it. The works by Kukriniksi of that
period were very popular; the artists ridiculed Nazi leaders; their names
were black-listed by fascists. In 1956 V. Briskin and K. Ivanov created the
first satiric propaganda poster. Soon a group of artists united to work at
propaganda posters, this group was headed by B. Efimov. The purpose of their
work was to spread noble and progressive ideas among the Soviet people, to
teach them to hate enemies and fight for peace all over the world. The
subjects of those posters were "very Soviet": "Black Africa with the Torch
of Freedom"(1957), about spongers, mods and self-conceit, etc.
Perestroika inspired young artists; they started the campaign against
Stalinism and totalitarian regime. But they did not stay long. The state did
not need them, and the most talented had left this art for good, and now
work in advertisement.
|
|

1.V. Mayakovsky.Okna Rosta. 1920.

7. V. Govorkov. Poster. Detail. 1963.

4. M. Cheremnikh. A Sectarian - Punch of a
Kulak. 1930. |

2.D. Moor. Advertisement of the magazine "Bezbozhnik".
1926.

6. V. Deni. Does a Pig need Culture and Science?
1942.

8. A. Faldin, A. Segal. Mass Culture. 1990s. |

3. V. Deni. Counter-revolutionary - a Saboteur.
1930.

5. K. Rotov. "Hats" in Kolkhoz. 1933. |