Although the history of mankind is
often written as the history of war, it is unnatural to kill humans. At all
times there were people who were against violence and opposed wars. One of
the first serious artists who criticized war and abhorred hatred and
obscurantism was J. Callot. He metaphorically expressed his wrath (a series
"War Calamities"). The characters of his engraving "St. Anthony's
Temptation" are the inhabitants of Hell. They devilishly enjoy killing each
other. In 1818-1820s F. Goya turned to that subject; having created a series
of engraving under the title of "War Calamities" he "took the baton" from
Callot. Goya's satire was directed against French army occupation of the
proud Spain.
When guns shoot, muses calm down, only the Satire muse works hard. At any
war time the caricaturists need great courage to criticize not only enemies
but the commanders of their own armies, famous for their drinking and
debauch, and not for successful victories (Gillray did it in 1793).When wars
break down, the majority of artists begin to attack enemies from newspapers
and magazines, with the help of leaflets and posters. In 1812 more than 40
Russian artists with Terebenev, Ivanov, and Venetsianov at the head "shot"
at the French army. They became the forefathers of Russian patriotic
caricature. Napoleon, the Satan servant, was also mocked by English, French,
and Spanish artists; after his dethronement the French themselves drew him
as a gallows-bird.
They say that verbal mocking of each other took place right in the battle
field in ancient times. War cursing used to be the Slavonic tradition, its
goal was to weaken the enemy. In 1850-1860 a famous "wordy" caricaturist K.
Prutkov "praised" the hero of his time - an unsuccessful warrior who lost
the Crimean War. Russian warriors were ridiculed by English and French
caricaturists, among them was the great O. Daumier. Criticizing Russian tsar
and his generals the artists blamed militarism in general ("Angel of Peace",
"Future", "Mars", and some others). On the pages of "Punch" Nikolai I
appeared as Death, or with the bear's head, running from combative Turks.
Quite often caricaturists made fun of Russian coat-of-arms (two-headed
eagle). The Russians artists also mocked some Western politicians. N.
Stepanov ridiculed the stupidity of Napoleon and the British prime-minister
Palmerstone, their diplomatic intrigues, and falsity of hostile mass media.
In Russian magazines published before October, 1917, caricatures devoted
to military theme can be found (A. Benois "Balkan Theatre", 1908; Re-Mi
"Re-forge samovars into swords, and pans - into shields", 1912, "Satiricon").
Any war changes people's minds, leads to disasters and destruction, and
caricature reflects it by its distorting mirror. "Fit for military
service",- states the doctor after examining the former soldier's skeleton
(G. Gross). This caricature is good for all seasons, for all countries, for
Russia, as well. Remember wars in Afganistan and Chechnya.
Tragic World War I gave life to its great critics. German artists O. Dix
and G. Gross showed the transmutation of a person into a gun and then
neglected. The German emperor Wilhelm was the main figure of fun in hundreds
of caricatures. In one of them he boasts that he has destroyed more
than...Vesuvius. The Second World War showed that the previous World war had
taught people nothing. "Vicious circle" - this is the name of a cartoon
strip by H. Bidstrup, where the artist depicted the development of military
industry. The first ancient weapon - a savage's club, the last - the same
club after the nuclear war. Bidstrup made a considerable artistic tribute to
the fight against Nazi during the Second World War. Although neither
politicians, nor warriors do not take satirists seriously, exhibitions of
anti-war caricatures are held from time to time. ("Disarmament", Scople,
1980; "War to War", Sofia, 1987; "Caricature for peace", Alma-Ata, 1986).