Philosophically, music, as well as humour, is infinity.
They mean joy for people. In all times musicians have laughed, smiled, and
guffawed, inspiring caricaturists. One can come across the satirical
drawings of musicians even in medieval manuscripts and embossed works.
Traditional folk prints with jesters and buffoons might be looked at as the
first "musical" caricatures. Lubok "Pharnos, the jester" of the XVIIth
century, S. Prokofyev's ballet "Jester", prints of Punch are the examples of
obvious link between professional music and spontaneity of folk humour.
First Russian professional caricaturists bantered musicians. In 1849
N. Stepanov issued "Musical Album" with the caricatures of M. Glinka, A.
Alyabyev, and A. Dargomizhsky. Later he published some caricatures of Glinka.
Standing for the "artistic truth" in music, the artist created and published
a series of caricatures of the opera "Judith" by Serov in "Iskra" ("Spark")
magazine. Musical topics were popular in the European caricatures of the
XVIII-XIXth centuries, the figures of fun used to be innovators as R. Vagner,
N. Paganini, and J. Rossinni, whose music seemed to be the encroachment of
traditions.
By the beginning of the XXth century the interest in the life of
Bohemians had sprung, as a result, numerous caricatures appeared in
different publications. The caricaturists paid attention to traditional
musical events, as well as to some innovations, like "an orchestra-man" - a
modern buffoon in the streets of cities, or jazz. ( N. Radlov "The Jazz
Fans").
By the 3Os the composition of humorous music had become an independent
branch of art. D. Shostakovitch put into music " Satires" by Sasha Tchyorny.
Walt Disney used humorous music in his cartoons.
S. Prokofyev told that he had composed some musical caricatures.
Kukriniksi made fun of Prokofyev and his colleagues in their caricatures.
During the Great Patriotic War (1941-1945) they created a poster "Musical
hysteria" in which musical instruments were put instead of the heads of the
Nazi leaders.
In the 60s the caricaturists held up the music of vanguard for derision,
they called it "the music of monkeys" ( the name of F. Reshetnikov's
caricature); in Prague a book about The Beatles full of Western humorous
graphic works was published. This book undoubtedly influenced the Soviet
artists of "new wave". At the same time a collection of foreign caricatures
and sketches "Musicians Smile" was published. In the "Krokodil" magazine a
unique caricature of 24 Russian composers by
I. Igin appeared. Among those composers was N. Bogoslovsky, known as the
author of the record " Music Laughs" and of numerous humorous sketches. He
wrote a mini-opera "Surgeon's Night" - a parody of modern operas.
Traditional musical subjects in the "Krokodil" magazine ridiculed some
composers ( Y. Fyodorov's drawing), the so called Composers' Union , members
of which wasted a lot of time and energy for meetings and discussions
sitting at the table having forgotten about music
( N. Lisogorsky " Among composers" 1956).
A lot of caricaturists were keen on music themselves, e.g. M. Cheremnikh,
D. Moor, and I Malyutin sang in Zaitsev brothers' choir. It is quite obvious
that collections of "musical" caricatures were published ( see, books by G.
Byutner, V. Dubov, V. Soldatov, etc.), some exhibitions were held: "Long
live Music!" ( Tallinn, 1968), or "Ballet and Opera through a Caricaturist's
Eye" (Perm, 1989).