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by
Danlee Mitchell and
Jack Logan, Ph.D.
Meter is a
result of the periodic effect of pulse (or beat) in music. Music does
not require a pulse (or beat) to be music. Much music has no pulse. Music
that does have pulse (or beat) always has beats that receive emphasis
by being louder or longer than other surrounding beats.

To get a sense of how meter is created clap a steady beat with your hands.
Begin clapping louder on one beat, and softer on the following beat. Repeat
this pattern again and again. Try clapping two softer beats after the
louder one. Try clapping groups of four, five and six.
The process
of patterning beats with a stressed, accented beat (a louder and/or longer
sound in comparison to other surrounding sounds) followed by a series
of weaker beats is called meter. The stronger accented
beat of a pattern (the louder or longer one) is called the downbeat.
An accent of length is called an agogic accent. An accent
of loudness is called a dynamic accent.
Meter
is counted with Arabic numbers. Count one is known as the downbeat. Two
patterns of two-beat meter (duple meter) are counted
1-2 | 1-2 (the "|" mark separates one group of two and the "_" mark represents
an accent of loudness or length). Three patterns of three-beat meter (triple
meter) are counted 1-2-3 | 1-2-3 | 1-2-3 | 1-2-3. Four patterns
of four-beat meter (quadruple meter) are counted 1-2-3
4 | 1-2-3-4 | 1-2-3-4 | 1-2-3-4. Five patterns of five-beat meter (quintuple
meter) are counted 1-2-3-4-5 | 1-2-3-4-5 | 1-2-3-4-5 | 1-2-3-4-5
| 1-2-3-4-5. Patterns may be created in this manner with any number of
numbers limited only by practical considerations.
The most common
meters in Western music are duple, triple and quadruple meters. Quintuple,
sextuple and septuple meters (meters of five, six and seven) are also
common in the West. Certain non-Western musics (for example, the music
of India, Indonesia and Africa) use longer meters regularly.
One single
pattern of any meter (for example, 1-2-3 4 of 1-2-3 4 | 1-2-3-4 | 1-2-3-4
| 1-2-3-4) is known as a measure. Music consists of a
series of measures linked together to form a phrase much
the same as a series of words are linked together to form a sentence.
Most music is metered with periodic beats called regular meter.
Some music features meter comprised of patterns of beats of different
lengths called irregular meter. Dance music of eastern
European Balkan states is comprised mostly of irregular meters and dance
music of Greece features occasional irregular meters.
Meter is a
very ancient musical element and extends back into human prehistory. Ancient
poets may have borrowed the idea for metered poetry from musical meter.
Say the words of your favorite pop song in rhythm and you will sense poetic
meter as well as musical meter. Musical meter seems to have originated
with the perception of the human heartbeat. Ancient songs were metered
as well as the texts of ancient plays. Meter is a metaphor for all the
periodic aspects of the human life experience.
Pre-Christian
religions used meter in their music; however, with the advent of Christianity
in the West, meter was disavowed for use during worship by the early Church
fathers as pagan as was the use of musical instruments. Unmetered vocal
chant replaced a variety of types of metered music and was viewed as the
"voice of God" until the 12th century A. D.
Meter contains,
as one of its various properties, pulse (or beat). The beat of a meter
may be regular (patterns with the same lengths), or irregular
(patterns with different lengths). Meters with a regular beat are called
regular meters and meters with irregular beats are, not surprisingly,
called irregular meters (also, "odd" meters).
Meter involves
two other properties of music -- accent and periodicity.
Musical "beat" is grouped into repeated patterns by accent involving the
first beat of a particular unit of time (measure or bar). The first beat
in a unit (louder and/or longer) is known as the downbeat.
A downbeat delineates one unit of meter which is known as a measure
or bar (interchangeable terms).
Measures of
music have a periodic aspect to them in that they are
repeated one after the other. Measures (units of time) are repeated while
the material within measures (notes, rhythms, and others) change as the
music develops.
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