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What is negative shape painting? Put simply, using this technique, the
traditional watercolor painter denies his or herself the use of white
paint, and thus cannot directly paint a light or white subject. To paint
that subject, he must paint around it, or in other words, paint the negative
shapes behind the subject. This seems arduous, but, with time, is no more
difficult than directly painting a subject. There are distinct advantages
to negative shape painting. First, white paint deadens chroma when added
to any color. Pure watercolor does not include the use of this paint and
is thus capable of producing the most chromatic and beautiful light value
passages. Second, when an artist is painting negative shapes he is in
right-brain mode, and thus benefiting from his or her best hand-eye coordination.
Finally, when dealing with negative shapes from the very beginning, the
artist must make global design decisions at the best possible time; from
the start. The following demonstration illustrates negative shape painting
as a dominant technique in all steps.
Step 1
A pleasing pattern of white Aspen trunks are defined by painting the negative
background shapes. Warm transparent yellow, reds and blues are used.
Step 2
A second layer of Aspen trunks are created by painting around them as
well as the initial group of trunks. Two positive tree shapes are suggest
in the central area of the painting. I used the same palette as in step
1.
Step
3
Middle and mid-dark values were applied to adjust the existing forest
aspens and to create depth in the forest areas. Forest shadows were created
and limbs were defined in the positive tree shapes created in step 2.
I used ultramarine blue as a darkening agent with my yellows and reds.
Step
4
Details were added to a few of the aspens and in the foreground bushes.
Dark shapes were painted at the base of the most distant central trees
to give impact and to define distant tree trunks (negative shape painting
again). The suggestion of a distant mountain was added.
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