There has never been an artist who was more fittingly, and without qualification, described as a genius. Like Shakespeare, Leonardo came from an insignificant background and rose to universal acclaim. Leonardo was the illegitimate son of a local lawyer in the small town of Vinci in the Tuscan region. His father acknowledged him and paid for his training, but we may wonder whether the strangely self-sufficient tone of Leonardo's mind was not perhaps affected by his early ambiguity of status. The definitive polymath, he had almost too many gifts, including superlative male beauty, a splendid singing voice, magnificent physique, mathematical excellence, scientific daring... the list is endless. This overabundance of talents caused him to treat his artistry lightly, seldom finishing a picture, and sometimes making rash technical experiments. The Last Supper, in the church of Santa Maria delle Grazie in Milan, for example, has almost vanished, so inadequate were his innovations in fresco preparation.
A
copy made by an apprentice of a da Vinci painting which never dried Da vinci
made numerous experiments using different colours and when painting this
particular church he failed.Yet the works what we have salvaged remain the most dazzingly poetic pictures ever created. The Mona Lisa has the innocent disavantage of being too famous. It can only be seen behind thick glass in a heaving crowd of awe-stuck sightseers. It has been reproduced in every conceivable medium: it remains intact in its magic, for ever defying the human insistence on comprehending. It is a work that we can only gaze at in silence.
Portrait de Mona Lisa
Leonardo's three great portraits of women all have a secret wistfulness. This quality is at its most appealing in Cecilia Gallarani, at its most enigmatic in the Mona Lisa, and at is most confrontational in Ginevra de' Benci. It is hard to gaze at the Mona Lisa, because we have so many expectations of it. Perhaps we can look more truly at a less famous portrait, Ginevra de' Benci. It has that haunting, almost unearthly beauty peculiar to Leonardo.
© Nicolas Pioch
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