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This is the title given to an influential quarterly journal which appeared
in 1903 in the wake of the Photo-Secession movement. It was edited
by Alfred Stieglitz, and among the many contributors were Frank
Eugene, Clarence White and Edward Jean Steichen.
The first edition reads:
"Only examples
of such work as gives evidence of individuality and artistic worth,
regardless of school, or contains some exceptional feature of technical
merit, or such as exemplifies some treatment worthy of consideration,
will find recognition in these pages."
This magazine was
beautifully produced. Some of the pictures were printed on fine Japanese
tissue, and pasted in by hand. Many of the articles were written by leading
authors.
The reception by British photographers to the publication was immediately
favourable. That same year "Photography" reported:
"There can be no
other verdict but that Camera Work beats all previous records for dignity,
good taste, and...value."
"Amateur Photographer"
for 1st January 1903 also was full of praise. There were in total fifty
editions. The last publication was in June 1917, when the Photo-Secession
movement had begun to lose its way. The script clearly shows that further
editions were at the planning stage. The June edition contains a letter
(17 November 1916), addressed to Stieglitz, from Frank Eugene,
which reads as follows:
"I have not received
Camera Work for a very long time, probably due to the war, censorship,
etc. etc....
The older I grow the more I appreciate what you have accomplished with
your very wonderful publication. When I see you I shall be delighted
to tell you how largely the possession of Camera Work has helped me
in my work as a teacher, and what an incentive it has always been to
my pupils towards a higher standard. It does...for the man with the
camera, what the Bible has...for centuries, tried to do for the man
with the conscience...."
Sadly this, the fiftieth
edition, turned out to be the last of this remarkable series, of which
few copies now remain.
Since this was written, Camera Work has been republished by Taschen
Publications (ISBN 3-8228-8072-8) The book contains all the illustrations,
and a masterly introduction by Pam Roberts, who is the Curator of the
Royal Photographic Society. It comes in paperback, and if one were only
allowed to recommend one book, it must surely be this one, as it contains
a simply excellent collection of outstanding photographs. A "must" for
any serious photographic historian.
By Dr. Robert Leggat
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