| Themes > Arts > Drawing > Perspective Drawing > Aerial Perspective |
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Distant mountains are
blue for much the same reason. We live under a thick layer of atmosphere
that is not clear. There are tiny water droplets in mists and humidity. In
dry climates there is often dust, polutants or other particles in the air.
All affect the way we see objects at a distance. The actual (local) color
of an object, a mountain rock for instance, will seem different at a
distance in value, hue and intensity. |
![]() The fact that far mountains are paler in value than near rocks seems obvious as layers of hills become progressively lighter into the distance. There is also a difference in contrasting values. The near landscape rocks are sharply lit with strong contrast of highlight and shadow. In the distance the contrast between highlight and shadow is less pronounced. A dark rock or mountain
will be bluer (cooler) and lighter as we see through the obscuring
particles. Lighter rocks or distant buildings will be a little warmer in
color and somewhat darker. |
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The warmer colors of
reds and yellows will lose some of their intensity at a While it is usual to
perceive atmospheric perspective as affecting the color of objects at a
great distance, the same principles hold true in closer proximity. The eye
reads the colors in a painting to 'see' a scene or still life. Even the
arrangement of fruit on a tabletop needs a lighter, more blue (cool) and
more neutral background to be understood as having a sense of depth. As you paint, study your subject, whether landscape or still life. Look for the bluer (cooler) background to help give it "atmospheric perspective". |
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By Sharon Himes |